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Akira Vol 6 Six

Akira Vol 6 Six




The explosive finale to one of graphic fiction’s greatest achievements is here! The mad psychic colossus Tetsuo, the world’s military, and the remaining psychics of The Project face off — with the child psychic god, Akira, the wild card — in what may not only decide the fate of mankind, but may determine the next step in human evolution! This long-awaited volume — a staggering 440 pages — features the impossible-to-find final chapters of Akira, never before collected in the U.S., presented as they were intended to be seen in their original, stunning black and white! Featuring a revised translation and top-quality art reproduction, this is the final edition of one of comics’ definitive works, a six-volume epic of over two thousand pages. Katsuhiro Otomo’s entire masterpiece is finally available — only from Dark Horse!

User Ratings and Reviews

5 Stars Great
I have heard many people say that the books are better than the movie, I don’t think this is true. The movie version of Akira is much better than the books. I’m not insulting the books but the story of Akira is better in the movie. The books contain much more detail and character development but lots of the events I thought didn’t move the story along; like Tetsuo taking over the clown gang and that society Tetsuo starts in Vol. 5. The movie moves along very quickly and all of the detail’s are important. It moves along faster and the ending is better. The books are still much better than most I have read and Akira is the only anime I find really interesting but the movie version is better. I would recommend this after seeing the film.

4 Stars Graphic SF Reader
Kaneda has confronted Tetsuo again, whether he is arrogant, crazy, cunning, or what, we don’t know, but he seems to survive.

Tetsuo is having huge problems controlling his abilities and literally is turning into something monstrous.

The military types haven’t got the message yet, and try and blow up Tetsuo again. He treats it as a power boost, and he and Akira decide to depart.

Kaneda and others are left to rebuild.

5 Stars Not much to say about it…
Akira is simply amazing. The art is beautiful, the story is genius, the characters are incredibly likeable, and the themes are disturbingly cool. ‘Nuff said.

5 Stars a pinnacle of graphic art madness in the service of depicting a mad world
The entire series is an essential item in the library of any aspiring graphic artist or graphic novelist. This is my most important resource concerning the modern styles that predominate manga and anime today. Taking on the complete set, I expected to be blown to pieces but instead I found myself slow cooked in a pot, sliced into thin slivers over the course of a few weeks, and put back together again. If you can stand the pain, it turns out to be quite a ride. Perhaps because of their experience of being the only nation ever to suffer the effect of nuclear war, I suspect that the Japanese have mastered the depiction of post-apocalyptic dystopia. However, Japanese graphic art has a long history dating back hundreds of years. I am not surprised that this is an excellent example of visual elements taking charge of the storytelling where words provide the common ground on which you may stand with others in the audience. I suspect that even in its original language this work would captivate just the same. Perhaps not to the taste of many avid readers of graphic novels because of the sparse dialogue. Personally, I tend towards more graphic elements so this was a treat.

5 Stars Graphic SF Reader
Akira is awesome. Even from a time when you would have just about had to commit a crime against the person of a Japanese tourist, or pay ridiculous amounts of money to get anime and manga and things like that, Akira was available.

It is no surprise that it was, as is an example of that artform at its finest.

Neo-Tokyo is a city recovering from devastation and world war.

When a young bikie gang leader rescues a young boy named Tetsuo, after almost running him down, Kaneda soon comes to realise this is no ordinary boy, because of the government interest in him.

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